Helicopter Dubai fast city overview

Helicopter Dubai fast city overview

Helicopter Dubai evening city lights

The thrum of the rotors fades into a steady heartbeat as the helicopter lifts off, and suddenly Dubai snaps into focus in a way that no map, no taxi window, no glossy travel video can replicate. If there were ever a “fast city overview,” it would be this: a helicopter slicing through hot air and sea haze, sketching a swift, high-altitude portrait of a place that appears determined to outpace time itself.


From above, Dubai's audacity is a geometry lesson.

Helicopter Dubai cinematic skyline

  • Helicopter Dubai famous landmarks
  • Helicopter Dubai coastal aerial views
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  • Helicopter Dubai business bay skyline
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  • Helicopter Dubai old city tour
The shoreline traces a smooth arc along the Persian Gulf, its line interrupted by human-made gestures so confident they seem to challenge the sea. The Palm Jumeirah sprawls below like a signature flourish-a calligrapher's palm fronds etched into turquoise water. Each frond holds its own miniature life: villas with private crescents of sand, pools that look like blue thumbnails, a ribbon of resorts culminating in the pink grandeur of Atlantis. Off to one side, the World Islands scatter like punctuation, an editorial comment on cartography. Seen from ground level, these are destinations; from the helicopter, they are patterns, reminders that Dubai doesn't just build-Dubai composes.


Pivot inland, and the Burj Khalifa spikes the sky with the self-assurance of a tuning fork, vibrating with aspiration. Around it, Downtown Dubai is a necklace of glass-arcades and water features glinting, roads curling like metal threads. The Dubai Fountain is a pale impression at this height, an eyelash of ripples in an emerald pool. The helicopter's shadow skims the roofs as if reading the city with a fingertip, decoding the arrangement of plazas, interchanges, and alleys that otherwise disappear under the blur of daily life.


Then the eye travels along Sheikh Zayed Road, the city's steel spine. From above it's a chrome river, its lanes thick with motion. Towers march beside it in improbable styles-neo-futuristic blades, mirrored prisms, whimsical arcs-like architectural arguments lined up for a debate moderated by the desert sun. Between them, the Metro glides, an elevated whisper hinting at a city that knows speed must be orchestrated to avoid chaos. In that hovering minute, “fast” stops being pejorative and becomes a mode: a carefully calibrated choreography of arrivals and departures, of people threading through a lattice of escalators and footbridges and exits labeled with numbers that make sense even to those visiting for the first time.


To the north, the old city unfolds in softer strokes. Dubai Creek splits neighborhoods into memories: Deira and Bur Dubai, with dhows stitched along the water like a line of brown beads. Here is where it began: pearl divers and traders, spices and textiles, a bustle that existed long before steel and spectacle. The helicopter drops a few feet, banking gently, and the creek's surface turns to polished tin. Abras shuttle across with the same purposefulness they've always had. Against the hyperreal of the skyline, this scene is a reminder that Dubai's speed has roots, that velocity is often born from hunger and ingenuity rather than mere ambition.


Helicopter Dubai evening city lights

Out toward Jumeirah, the Burj Al Arab stands with theatrical poise, the helipad a wink to this very vantage point. Its sail silhouette is both sculpture and signal-a semaphore for extravagance. Just beyond, kite surfers write calligraphy on the waves, and the beaches draw white, cursive lines between the aquamarine sea and the beige of the city. It is easy to call this excess, but from here it seems more like a city negotiating with the elements: sea breezes tamed into pleasant evenings by careful urban planning, shade cast by colonnades and elevated tracks, parks slotted like green tiles wherever space permits.


The pilot arcs toward Dubai Marina, and the density intensifies. Towers cluster like reeds, their reflections fragmenting in the water. Yachts idle, waiting for the light to soften. Bluewaters Island hovers like a punctuation mark, Ain Dubai a wheel resting between spin and stillness. This is the theater of lifestyle, yes, but also a humming engine of migration. Helicopter Dubai premium sightseeing ride . The city draws people like a magnet draws filings-engineers, waiters, architects, nannies, coders-each adding to a field you can't see on a skyline, but you can feel in its momentum.


From this height, the logistics reveal themselves: cloverleaf interchanges unfurl with a mathematician's elegance; ports arrange containers into candy-colored legibility; runways stretch like declarations. Helicopter Dubai afternoon skyline You sense the work behind the gloss: desalination and district cooling and water that moves where it must, when it must. This city has learned that to go fast safely, you must anticipate. Drones flit like curious birds; solar panels solder light into power on rooftops; the Expo site reimagines itself into a new district, promising ways of living that loosen the hard edges of a desert climate. Sustainability here still battles gravity and heat, but the aerial view insists on recognizing the effort: shade canopies like folded origami, pocket parks tucked between towers, mangroves nurtured along the coast.


It's not all triumph. Even from the sky, you can read the costs of speed: construction sites scarred into sand, cranes paused mid-gesture, labor buses inching from the periphery at dawn. The helicopter doesn't wash away contradictions; it arranges them into a single frame. Helicopter Dubai cinematic skyline Luxury and labor, spectacle and service, permanence and pop-up-Dubai holds them all in a tensile balance. Perhaps that is what makes the overview compelling: the city is not a finished photograph but a time-lapse in progress.


The desert remains the final editor. Beyond the last ring road the beige becomes uninterrupted, a soft, infinite palate cleanser. Dunes roll with the confidence of millennia. From above, they shrug at human zigzags, yet they also lend the city its drama. Without the desert's blankness, the built edges wouldn't cut so clean; without the heat, the innovation might not feel necessary. The desert doesn't threaten; it contextualizes. It reminds you that speed is not an answer, but a method.


We circle back, the pilot plotting an invisible cursive that stitches the landmarks into a story you can now tell yourself. A helicopter makes Dubai legible by compressing distance into comprehension. It lets you see the palm as a sentence, the creek as a preface, the road as a throughline, the towers as exclamation points and speculative commas. It is a fast city overview, yes, but speed, in this case, is generous: it gives you a frame wide enough to hold complexity without pretending to resolve it.


As the skids kiss the tarmac, the rotors wash the air into a temporary sandstorm of grit and sound. The city beyond the hangar roars back to life at the scale of sidewalks and steering wheels, of elevator buttons and coffee queues. You step out with a small secret: once you've seen Dubai from above, you understand that its bravado is not only for show. It is a survival strategy, an artistic impulse, a business plan, and a bet with the future-all visible in a single swift glance from a helicopter. The overview is fast; the impression lasts.



Helicopter Dubai cinematic skyline

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Atlantis, The Palm
Map
Interactive map of the Atlantis, The Palm area
Hotel chain Atlantis, The Palm
General information
Location Jumeirah Palm, Dubai
Construction started 2006[1]
Opening September 24, 2008 (2008-09-24)
Management Kerzner International Resorts
Height 93.0 m (305.1 ft)
Technical details
Floor count 22
Design and construction
Developer Kerzner International Resorts
Other information
Number of rooms 1,544[2]
Number of suites Suites (Regal, Terrace, Executive)
Super Suites (Royal Bridge, Grand Atlantis, Underwater, Presidential)
Website
www.atlantis.com/dubai/atlantis-the-palm
[3][4][5]

Atlantis, The Palm is a luxury hotel resort located at the apex of the Palm Jumeirah in the United Arab Emirates. It was the first resort to be built on the island and is themed on the myth of Atlantis[6] but includes distinct Arabian elements. The resort opened on September 24, 2008 as a joint venture between Kerzner International Holdings Limited and Istithmar World.[7]

Hotel

[edit]

The 1,544 room nautically themed resort has two accommodation wings, consisting of the East and the West Tower. It is complemented by the Aquaventure water park and the Lost Chambers Aquarium, home to over 65,000 marine animals. Atlantis, The Palm is also known as the culinary destination in the region where guests can take their pick from a collection of 35 world-renowned restaurants including Bread Street Kitchen & Bar, Street Pizza, Hakkasan, Nobu, En Fuego, Seafire Steakhouse & Bar and the award-winning underwater restaurant, Ossiano.[8]

Underwater rooms

[edit]

The Poseidon and Neptune Underwater Suites at Atlantis The Palm are two of only a tiny handful of underwater hotel rooms around the world, and regularly appear in lists of the world's most unique accommodation.

Measuring 165 m2 (1,780 sq ft) in total, the upper, entrance floor is at ground level while the master bedroom and en-suite bathroom are submerged. The almost floor to ceiling windows in both the bedroom and bathroom face out on to the resort's Ambassador Lagoon, home to a multitude of exotic sea creatures.[9] The floor-to-ceiling windows includes 65,000 marine animal aquarium in Dubai and will be amazed as sharks, rays and fish glide right past your bed.[10]

Development

[edit]

Atlantis The Palm, opened on 24 September 2008 as a joint venture between Kerzner International Holdings Limited and Istithmar World. In April 2012, Istithmar World acquired Kerzner's 50-percent stake in the property for US$250 million. The property continues to be managed by Kerzner International Resorts. The conceptual design architects were Northpoint-South Africa. The architect of record was design firm Wimberly, Allison, Tong and Goo (WATG) an international firm specializing in Luxury Hotels. The principal contract for the project was awarded to Laing O'Rourke,[11] a multinational construction firm based in United Kingdom. Laing O'Rourke was responsible for the design and construction phases of the 23-story hotel and water park.

Launch

[edit]

The hotel was officially opened on 24 September 2008.[12]

Days before the opening ceremony, the hotel's grand lobby caught fire[13] and became engulfed in flames which caused concern over the hotel's opening. Work was done to repair the damage caused and the hotel opened on time.[14][15]

As part of the opening, a light show of moving images was illuminated onto the hotel. 100,000 fireworks, around seven times the amount that were used for the opening ceremony of the 2008 Beijing Olympics, were let off, lasting 15 minutes. The display of fireworks across the full 5 km (3.1 mi) stretch of The Palm lit up the entire island and Atlantis, The Palm. Custom-made shells shipped in from across the globe created a light spectacle taking off from the 716 firing locations around the island, including 400 balconies at the resort. Display creator Fireworks by Grucci claims the display set a new world record, but records curator Guinness World Records has yet to announce the status.[16] The launch party costed an estimated £15m in total, with Kylie Minogue earning £2m for a 60-minute performance for the hotel's 2,000 guests.[17][18]

Reception

[edit]

The Telegraph gave the hotel a 8/10, commending the underwater theme and facilities available.[19] A 2024 review by The Sunday Times gave the hotel a score of 9/10, complimenting the architecture and appeal to all age groups.[20]

Controversy

[edit]

In October 2007, the hotel received a shipment of 28 bottlenose dolphins from the Solomon Islands, to be used as part of their aquarium exhibit, called Dolphin Bay. The move was decried by several environmental groups, particularly for the fact that the export of dolphins had earlier been banned by the Solomon Islands government (after a similar controversial shipment to Mexico). Hotel managers have said that though the dolphins are being trained to interact with visitors, they will not appear in any sort of show or circus-like performance. They have also stated that the health of the dolphins is paramount; because the bottlenose is not an endangered species, their shipment did not pose a problem. The deal was done with the approval of the United Arab Emirates and Solomon Island governments, through the company Solomon Islands Marine Mammal Education Centre and Exporters Limited (who had overturned the earlier ban in court). The amount of money paid for the dolphins has not been disclosed.[21][22]

The hotel faced controversy in 2010 following the captivity of a whale shark, nicknamed Sammy, in an aquarium exhibit for 18 months.[23] The female juvenile was caught off a coast in Jebel Ali in August 2008 after appearing in distress.[24][25] At the time, whale sharks were listed in appendix 2 of CITES, stipulating that they can "only be held for scientific purposes provided that it does not harm the survival of the species". The captivity sparked outrage among animal rights groups and activists, including PETA and actress Pamela Anderson.[24] Gulf News launched a campaign with thousands of supporters calling for the release of the shark.[26] Atlantis would release a press release, stating:

"After several months of planning, Atlantis, The Palm in Dubai has returned a female whale shark to the waters of the Persian Gulf from where she was rescued. The Atlantis Fish Husbandry Team utilised their experience and skill to save the animal in compliance with all CITIES regulations."

Ali Bin Saqr Al Suwaidi, president and founder of the Emirates Marine Environment Group, another group involved in the campaign, confirmed the shark was set to be released.[23] Scepticism surrounding the release persisted afterwards due to a lack of images being circulated, with Steve Kaiser, vice president of Marine Science and Engineering at Atlantis, denying the claims of Sammy still being held in captivity.[25]

[edit]

See also

[edit]
  • Dubai World
  • Atlantis The Royal, Dubai
  • List of hotels in Dubai
  • Atlantis Paradise Island – similar looking hotel by Sol Kerzner
  • Atlantis Sanya
  • Atlantis Resorts

References

[edit]
  1. ^ Husain, Shakir (9 October 2006). "Construction of Atlantis resort project set to peak in February". Archived from the original on 7 January 2018. Retrieved 7 January 2018.
  2. ^ "Hotel Rooms and Suites Atlantis The Palm Dubai". www.atlantisthepalm.com. Archived from the original on 2013-02-15. Retrieved 2013-02-13.
  3. ^ "Emporis building complex ID 112406". Emporis. Archived from the original on March 7, 2016.
  4. ^ "Atlantis, The Palm". SkyscraperPage.
  5. ^ Atlantis, The Palm at Structurae
  6. ^ http://www.atlantisthepalm.com Archived 2009-05-24 at the Wayback Machine Atlantis
  7. ^ Ahmed Hussein (November 25, 2008). "Landmark project Atlantis, The Palm officially launched amidst grand ceremony". EstatesDubai. Archived from the original on 27 September 2013. Retrieved 26 March 2013.
  8. ^ "Atlantis, The Palm: The Resort". Atlantis, The Palm: The Resort. Retrieved 2024-09-12.
  9. ^ Underwater Hotel Rooms in Dubai
  10. ^ "Underwater Suite in Dubai". Atlantis.
  11. ^ "Atlantis, The Palm. Dubai. United Arab Emirates". Archived from the original on 2015-10-02. Retrieved 2021-12-23.
  12. ^ CW Staff (10 June 2010). "UK giant Laing O'Rourke denies ME withdrawal". Construction Weekly. Archived from the original on 17 June 2010. Retrieved 31 March 2010.
  13. ^ Cronin, Sean. "Atlantis bosses say fire-hit resort will open on time". Arabian Business.
  14. ^ "Atlantis fire casts doubt on opening". gulfnews.com. 2 September 2008. Retrieved 2023-03-16.
  15. ^ Harnan, Eugene (2008-09-02). "Police investigate Atlantis fire". The National. Retrieved 2023-03-16.
  16. ^ http://gulfnews.com/news/gulf/uae/general/atlantis-fireworks-display-seeks-place-in-guinness-book-1.17275 Archived 2014-12-27 at the Wayback Machine Atlantis fireworks display seeks place in Guinness Book of World Records
  17. ^ Bhatia, Shekhar (21 November 2008). "500 chefs, 4,000 lobsters and Kylie - recession Dubai style". The Guardian. Retrieved 29 December 2020.
  18. ^ "Wow! Kylie Minogue to be paid £2million for 60-minute set at Dubai hotel opening party". Evening Standard. 11 September 2008. Retrieved 29 December 2020.
  19. ^ "Atlantis, The Palm Dubai, United Arab Emirates". The Telegraph. 1 April 2019. Archived from the original on 22 February 2024. Retrieved 15 December 2024.
  20. ^ "Atlantis The Palm hotel review: a Dubai palace with entertainment for the whole family". The Sunday Times. 24 May 2024. Retrieved 15 December 2024.
  21. ^ 28 dolphins on way to Palm hotel Archived October 20, 2008, at the Wayback Machine Gulf News (16 October 2007).
  22. ^ Wild dolphins adapt to indoor life Archived October 26, 2008, at the Wayback Machine Gulf News (27 October 2007).
  23. ^ a b "Sammy the whale shark freed in Dubai". Gulf News. 18 March 2010. Archived from the original on 24 November 2024. Retrieved 15 December 2024.
  24. ^ a b "Atlantis frees Sammy the whale shark". Hotelier Middle East. 21 March 2010. Retrieved 15 December 2024.
  25. ^ a b "Satellite tag reveals tale of shark Sammy in the wild". Gulf News. 15 June 2010. Retrieved 15 December 2024.
  26. ^ "Sammy the Whale Shark Sent to Sea". Khaleej Times. 19 March 2010. Retrieved 15 December 2024.
[edit]
  • Official website Edit this at Wikidata

 

 

The World Islands (Dubai)
View of the World in 2010
Geography
Location United Arab Emirates
Coordinates 25°13′00″N 55°10′00″E / 25.21667°N 55.16667°E / 25.21667; 55.16667
Archipelago The World
Length 9 km (5.6 mi)
Width 6 km (3.7 mi)
Administration
United Arab Emirates
View of The World from the Burj Khalifa
The development's logo

The World Islands (Arabic: جزر العالم, romanized: Juzur al-Ālam) are an archipelago of small artificial islands constructed in the shape of a world map, located in the Persian Gulf, off the coast of Dubai, United Arab Emirates.[1] The World Islands are composed mainly of sand dredged from Dubai's shallow coastal waters and are one of several artificial island developments in the emirate.[1] The World's developer is Nakheel Properties. Construction was done by two Dutch joint-venture specialist companies, Van Oord and Boskalis, who also created the Palm Jumeirah.

Construction of the 300 islands began in 2003, before being halted due to the 2008 financial crisis.[2] Though 60% of the islands were sold to private contractors in 2008, development on most of the project has not started.[3] As of July 2012, Lebanon Island was completed and was the only island that had so far been developed commercially, being used for private corporate events and public parties. As of late 2013, only two of the islands had been developed. In January 2014, Kleindienst Group announced the launch of "the Heart of Europe" project.[4] By February 2014, JK Properties, one of Kleindienst Group's brands, announced that the project was "well underway".[5] The first of these series of islands will be Europe, Sweden, and Germany, with development led by Kleindienst Group.

The World Project

[edit]

Islands in the project range from 1.4 to 4.2 hectares (3.5 to 10.4 acres) in area.[1] Distances between islands average 100 metres (110 yd); they are constructed from 321 million cubic metres of sand and 386 million tons of rock.[1] Designed by Creative Kingdom Dubai, the development is an area that covers 6 by 9 kilometres (3.2 by 4.9 nmi) and is surrounded by an oval-shaped breakwater island. Roughly 232 km (144 mi) of shoreline has been created. The World's overall development costs were estimated at $13 billion CAD in 2005.[citation needed]

The archipelago consists of seven sets of islands, representing the continents of Europe, Africa, Asia, North America, South America, Antarctica, and Oceania.[6] Each artificial island is named after its representative country, landmark, or region, such as France,[7] California,[8] Rio de Janeiro, Mount Everest,[9] Australia,[10] New Mexico,[11] Upernavik,[12] Buenos Aires,[13] New York,[14] Mexico,[15] Saint Petersburg,[16] São Paulo, and India.[17]

History

[edit]

The project was unveiled in May 2003 by Al Maktoum,[18] and dredging began four months later.[18] By January 2008, 60% of the islands were sold, with 20 being bought in the first four months of 2007.[1][18] On 10 January 2008, the final stone on the breakwater was laid, completing development of the archipelago.[18] As of July 2012, a second island, the Lebanon Island (1.5 hectares, or 3.7 acres and 482.21 metres of perimeter) was developed and was 'the only island that has so far been developed commercially, is used for private corporate events and public parties'.[19]

Difficulties

[edit]

The Times reported in September 2009 that work on the World had been suspended due to the effects of the 2008 financial crisis.[20][21] Nakheel denied 2010 reports that the islands were sinking into the sea as wholly inaccurate.[22] Despite the denial, The Daily Telegraph reported in January 2011 that an independent company, Penguin Marine, provided verification on the erosion of the islands and the silting of the passageways between the islands.[23] Due to financial and technical problems, Penguin Marine, contracted to provide transportation to the archipelago, attempted to get out of the annual fees of $1.6 million paid to Nakheel properties.[23]

Until early 2012, only one of the islands had been occupied by a building (a show home),[2] and commercial or residential properties were not being constructed on any of the other islands. Property prices in the Emirates had fallen 58% from their peak in the fourth quarter of 2008.[24] The world economic recovery from the Great Recession resulted in a rebound for the Dubai real estate market: it was reported that "residential prices [in Dubai] rose by 17.9% from August 2012 to 2013, while rents soared by 14.9% in the same period".[25]

Purchase and development plans

[edit]
The World 2010 (aerial view)

The World was supposed to be serviced by four major transportation hubs linked by waterways. Land parcels were supposedly zoned for various uses: estate, mid-density, high density, resorts, and commercial.[26]

The plan was for utilities to be routed underwater, with pumping stations at each of the hubs pumping fresh water to the islands. Power was to be supplied by the Dubai grid and distributed through underwater cables. However, as of May 2025, no cables had been laid, and developers had to provide their own power using diesel generators. Wastewater and refuse systems are an individual concern for each island.[26]

A show house island for prospective buyers

Nakheel Group is itself further developing a resort named Coral Island, covering over 20 islands that make up the North American part of the World. The low-rise development will include a marina and hotel village.[27] The second largest confirmed development is the purchase of 14 islands that make up Australia and New Zealand by Investment Dar of Kuwait. The islands are being developed as a resort named OQYANA.[28]

The Irish business consortium Larionovo had plans to develop the Ireland island into an Irish-themed resort.[29] The plans included a large internal marina, apartments and villas, a gym, hotel, and an Irish-themed pub. In July 2007, it was announced that the island would feature a recreation of Northern Ireland's Giant's Causeway. However, on 25 November 2008, a provisional liquidator was appointed for Larionovo. As of October 2022, this has not happened.[30]

In April 2008, Salya Corporation announced that it had acquired the islands of Finland and Brunei and planned to develop them into fashion-themed resorts. Salya spent about Dh800 million (US$218 million) to purchase the islands and plans to spend a further Dh2.4 billion (US$654 million) on development. Brunei Island will be turned into a Fashion TV resort and Finland Island into a fashion community called FTV palace.[31]

Safi Qurashi[32] at the head of Premier, and his business partner Mustafa Nagri, paid an estimated US$64 million for the 4.5-hectare (11-acre) piece of land; he was later convicted for non-payment of cheques and sentenced to seven years in jail.[33] However, on appeal, he was later found not guilty and released from prison in July 2012, when he was declared innocent of two of the three charges.[34][35]

Josef Kleindienst and his firm JK Properties are developing the Heart of Europe, a collection of seven islands (Germany, Netherlands, Sweden, Ukraine, Main Europe, Switzerland, and Monaco) in the European section of the World, into an island luxury resort.[36] It is meant to create a fully immersive European experience, with outdoor snow[37] and stores accepting only the Euro as a currency.[38] It was set to open in 2020 but was delayed by the COVID-19 pandemic.[39]

In June 2020, a street called Raining Street was being built as part of the Heart of Europe project, with plans to create artificial rainfall once the outdoor temperature exceeds 27 degrees Celsius, with the objective to make a close copy of southern European climate.[40]

In December 2022, it was announced that the first hotel within the project, Cote d'Azur Monaco, had opened.[41]

Timeline of construction

[edit]
Undeveloped islands on 1 May 2007
Undeveloped islands on 11 April 2015
  • May 2003: The World development was announced by Nakheel, total completion scheduled for 2008. It was initially to have 200 islands and an area of 5,600,000 square metres (60,000,000 sq ft).[42]
  • February 2004: It was announced that the World would comprise 260 islands, and its area would be 6 km by 9 km, with an area of 23–83,613 square metres (250–900,000 sq ft) for each island, with 50–100 m (160–330 ft) of water between each island.[42]
  • August 2004: It was announced that land reclamation would cost AED 7.3 billion ($2 billion).[42]
  • April 2005: Sand dredging 55 percent complete, 88 islands completed.[42]
  • 30 March 2006: Richard Branson appeared at a media conference on the Great Britain island. However, this was to announce direct London-to-Dubai flights by Virgin Atlantic and was not related to his investing in the project.[43]
  • December 2006: The World reclamation 90 percent complete.[42]
  • October 2007: Nakheel announced the sale of Ireland and Shanghai in October 2007.[42]
  • January 2008: The World breakwater is completed.[42]
  • 19 February 2008: Cinnovation Group acquired a 37,000-square-metre (400,000 sq ft) island as part of a project valued at $200 million USD. Guest and residential villas and a hospitality complex are planned.[44]
Taken from the International Space Station in 2010
Taken from the Hodoyoshi-1 satellite in 2016
Taken from the International Space Station in 2022
  • 25 February 2008: Dubai Multi Commodities Centre announced that it will establish a 6,000-square-metre (65,000 sq ft) pearling and marine entertainment center in association with Paspaley Pearling Corporation. It will be located on an island in the Antarctic region of the World.[45]
  • September 2008: Dubai's Limitless announced plans to develop a $161 million USD wellness resort on an island in "Siberia". Pearl Dubai paid US$27.2 million for a 150,000-square-metre (1,600,000 sq ft) island nearby.[46]
  • 28 December 2008: Turkey Island was bought by MNG Holding in June 2008 for US$19 million.[46]
  • 28 December 2008: China's Zhongzhou International announced that it will be developing a hotel resort on Shanghai island.[46]
  • 28 December 2008: Nakheel said 70 percent of the World had been sold.[42]
  • October 2009: An Emirates Business report on 13 October 2009 stated that two islands were sold in July and August 2009.[42]
  • December 2009: Dubai-based Kleindienst Group said they would start construction of the Heart of Europe in early 2010. Islands include Austria, Germany, Netherlands, Ukraine, Sweden, and Switzerland.[42]
  • January 2010: On 28 January 2010, Emirates Business reported that Major Trade had started development of their projects on an island in the Greenland area, a villa and hotel resort.[42]
  • 23 February 2010: Kleindienst Group started work on the Germany island of the World.[47]
  • 17 July 2012: The Royal Island Beach Club opened on Lebanon Island.
  • 6 May 2013: Nakheel announced that an out-of-court settlement had been reached between itself and Kleindienst Group, allowing construction on "The Heart of Europe" to resume.[48]
  • 10 June 2013: Construction began on "Taiwan".[49]
  • 2 July 2013: Nakheel announced that settlements "with São Paulo Development Ltd for São Paulo Island and a GCC investor for the purchase of Nord Island", totaling "AED 185 million", along with the earlier settlement with Kleindienst Group (valued at AED 622 million), have "put The World back on the map".[50]
The World islands map, annotated with existing developments
  • 10 December 2013: Nakheel announced plans to connect the islands with a road.[51]
  • January 2014: Kleindienst Group's JK Properties announced that "work has commenced on The Heart of Europe".[52]
  • January 2014: Website "The Heart of Europe" publishes monthly construction updates for the project.[53]
  • February 2014: JK Properties announced that the "Heart of Europe" islands construction is "well underway".[54]
  • 7 December 2016: The Heart of Europe project makes major progress when the Dubai-based company JK Bauen, part of the Kleindienst Group, appointed Chinese-based companies Wuchang Ship Building Industry Group and Sino Great Wall International Engineering in a joint venture to develop facilities on the six islands.[55]
  • January 2022: Anantara World Islands opens.[56]

See also

[edit]
  • List of developments of The World (archipelago)
  • Palm Islands
  • The Universe
  • Dubai Waterfront

References

[edit]
  1. ^ a b c d e "Dubai's Palm and World Islands – progress update". AMEInfo. 4 October 2007. Archived from the original on 11 October 2007. Retrieved 2 February 2008.
  2. ^ a b Spencer, Richard (28 January 2011). "'The World' is sinking". Stuff.
  3. ^ Schaffer, Sierra (23 May 2016). "The "World" Is Sinking Back Into the Sea, Dubai's World Islands That Is – TechMalak". TechMalak. Archived from the original on 24 May 2016.
  4. ^ "Phase two of The Heart of Europe project launched". Khaleej Times. 17 December 2014.
  5. ^ "Work continues to progress at a pace on the heart of Europe". JK Properties. February 2014. Archived from the original on 18 March 2016. Retrieved 14 March 2014.
  6. ^ "The World Islands". Atlas Obscura. 26 September 2016. Retrieved 8 July 2018.
  7. ^ 186483481 France on OpenStreetMap 25°13′24″N 55°09′34″E / 25.22334°N 55.15937°E / 25.22334; 55.15937 (France)
  8. ^ 2713321 (xjah) California on OpenStreetMap 25°12′11″N 55°08′38″E / 25.20300°N 55.14376°E / 25.20300; 55.14376 (California)
  9. ^ 87185503 Mount Everest on OpenStreetMap 25°14′13″N 55°10′31″E / 25.23683°N 55.17535°E / 25.23683; 55.17535 (Mount Everest)
  10. ^ 87185938 Australia on OpenStreetMap 25°13′53″N 55°11′40″E / 25.23149°N 55.19435°E / 25.23149; 55.19435 (Australia)
  11. ^ 8402261 (xjah) New Mexico on OpenStreetMap 25°12′05″N 55°09′06″E / 25.201379°N 55.151797°E / 25.201379; 55.151797 (New Mexico)
  12. ^ 87184344 Upernavik on OpenStreetMap 25°13′17″N 55°08′22″E / 25.22142°N 55.13939°E / 25.22142; 55.13939 (Upernavik)
  13. ^ 202033673 Buenos Aires on OpenStreetMap 25°12′04″N 55°10′10″E / 25.20106°N 55.1695°E / 25.20106; 55.1695 (Buenos Aires)
  14. ^ 87184265 New York on OpenStreetMap 25°12′51″N 55°09′04″E / 25.21421°N 55.15101°E / 25.21421; 55.15101 (New York)
  15. ^ 8402263 (xjah) Mexico on OpenStreetMap 25°12′07″N 55°09′16″E / 25.201824°N 55.154394°E / 25.201824; 55.154394 (Mexico)
  16. ^ 200489433 St. Petersburg on OpenStreetMap 25°14′05″N 55°09′53″E / 25.23475°N 55.16479°E / 25.23475; 55.16479 (St. Petersburg)
  17. ^ 170773643 India on OpenStreetMap 25°13′52″N 55°10′47″E / 25.23110°N 55.1796°E / 25.23110; 55.1796 (India)
  18. ^ a b c d "The World islands in Dubai complete". ArabianBusiness.com. 10 January 2008. Archived from the original on 11 January 2008. Retrieved 2 February 2008.
  19. ^ Simpson, Colin (9 May 2013). "The World is back on Dubai's map". The National News.
  20. ^ McLean, James (12 September 2009). "Credit crunch signals end of The World for Dubai's multi-billion dollar property deal". The Times.
  21. ^ Hari, Johann (7 April 2009). "The dark side of Dubai". The Independent. Archived from the original on 7 May 2022.
  22. ^ Shane McGinley (4 February 2010). "Island owners hit back at 'sinking' claims". Arabian Business. Archived from the original on 6 February 2010.
  23. ^ a b Spencer, Richard (20 January 2011). "The World is sinking: Dubai islands 'falling into the sea'". The Daily Telegraph.
  24. ^ "The End of The World". Kompas.com. Archived from the original on 24 January 2011. Retrieved 6 January 2012.
  25. ^ "JK Properties Monthly Newsletter (Nov. 2013) "A bright Outlook for Dubai's property Market"". JK Properties. November 2013. Archived from the original on 14 March 2014. Retrieved 14 March 2014.
  26. ^ a b Nakheel. "The World Video Gallery". Archived from the original on 22 June 2008.
  27. ^ "Nakheel unveils super-luxury resort at Coral Island of The World". National Media Council UAE. 5 March 2007. Archived from the original on 26 April 2008. Retrieved 26 March 2008.
  28. ^ "Nakheel sells Australasia segment of The World". AsiaTravelTips.com. 13 April 2005. Retrieved 29 December 2006.
  29. ^ "The Island of Ireland". Retrieved 23 July 2007.
  30. ^ "Larionovo".
  31. ^ "World's Finland and Brunei to be hub of fashion". Emirates Business 24/7. 24 April 2008. Archived from the original on 4 March 2016. Retrieved 27 April 2008.
  32. ^ Leftly, Mark. Anger over pay is just the free market in action, The Independent 10 June 2012
  33. ^ Syal, Rajeev (23 July 2010). "Owner of Dubai's 'little Britain' jailed for non-payment of cheques". The Guardian. London.
  34. ^ McGinley, Shane (23 July 2012). "Exclusive: Two Safi Qurashi judgements quashed". Arabian Business. Dubai.
  35. ^ Hyslop, Leah (24 July 2012). "Briton Safi Qurashi has convictions overturned in Dubai". The Telegraph. London.
  36. ^ "The Heart of Europe". Retrieved 14 February 2016.
  37. ^ "Heart of Europe in Dubai: Streets with snow". Emirates 24/7. 20 January 2014. Retrieved 14 February 2016.
  38. ^ "Video: Plans to make it snow in Dubai are not a gimmick, says CEO". 7Days. Archived from the original on 14 August 2015. Retrieved 14 February 2016.
  39. ^ "Dubai's The World islands: inside the first 'country' set to open at The Heart of Europe". The National. 14 August 2018. Retrieved 1 October 2019.
  40. ^ "Dubai to construct 'Raining Street' where it pours down all year round". The National. 23 June 2020. Retrieved 5 July 2020.
  41. ^ "Heart of Europe's first hotel opens for bookings 13 years after being unveiled". Hotelier Middle East. 30 November 2022. Retrieved 16 October 2023.
  42. ^ a b c d e f g h i j k Dubai FAQs. "The World Dubai". Dubaifaqs.com. Retrieved 7 July 2012.
  43. ^ smh (30 March 2006). "Sir Richard Branson 'Stakes his Claim' on The World in Dubai". Asiatraveltips.com. Retrieved 7 July 2012.
  44. ^ "Cinnovation acquires Nova Island on The World (UAE/SG)". Europe-re.com. 1 June 2010. Archived from the original on 10 July 2011. Retrieved 7 July 2012.
  45. ^ "Dubai unveils 'Pearls of Arabia' at The World | DMCC". AMEinfo.com. 20 June 2012. Archived from the original on 29 September 2012. Retrieved 7 July 2012.
  46. ^ a b c "'The World' three-quarters sold out – The National". Thenational.ae. 6 June 2012. Retrieved 7 July 2012.
  47. ^ "First developer breaks ground on The World | Real Estate". AMEinfo.com. 20 June 2012. Archived from the original on 4 October 2012. Retrieved 7 July 2012.
  48. ^ "The World LLC settles with Kleindienst Properties". Nakheel PJSC. 6 May 2013. Archived from the original on 14 March 2014. Retrieved 14 March 2014.
  49. ^ System Administrator (10 June 2013). "Dubai's The World: Construction on Taiwan begins post-Ramadan". Emirates 24-7. Retrieved 18 April 2016.
  50. ^ "Settlements worth AED807 million put The World back on the map". Nakheel PJSC. 2 July 2013. Archived from the original on 3 November 2013. Retrieved 14 March 2014.
  51. ^ "Road could be built to man-made World development". Archived from the original on 6 January 2014. Retrieved 18 April 2016.
  52. ^ "JK Properties Monthly Newsletter (January 2014), "Kleindienst Group launches iconic The Heart of Europe project"". JK Properties. January 2014. Archived from the original on 14 March 2014. Retrieved 14 March 2014.
  53. ^ "The Heart of Europe – Construction Updates". The Heart of Europe. January 2014. Archived from the original on 14 March 2014. Retrieved 14 March 2014.
  54. ^ "JK Properties Newsletter (February 2014), "The Construction of the Heart of Europe Islands is Now Well Underway"". JK Properties. February 2014. Archived from the original on 14 March 2014. Retrieved 14 March 2014.
  55. ^ Fahy, Michael (7 December 2016). "Heart of Europe development at The World Islands off Dubai coast takes major step forward". The National.
  56. ^ Evans, Tom (5 June 2023). "What's happening in the Dubai World Islands?". Time Out Dubai. Retrieved 10 October 2024.
[edit]
  • Nakheel.com: The World (Web archive)
  • "The Heart of Europe" website
  • List of islands in The World by Nakheel, Dubai (DubaiFAQs)

 

An aerial photograph using a drone of Westerheversand Lighthouse, Germany
Drone aerial photograph showing a swimming pool, water slides, buildings, and surrounding landscape
Aerial view of a swimming pool complex
An aerial photograph taken using a drone of the Vistula, a river in Poland
An aerial view of the city of Pori, Finland
Air photo of a military target used to evaluate the effect of bombing

Aerial photography (or airborne imagery) is the taking of photographs from an aircraft or other airborne platforms.[1] When taking motion pictures, it is also known as aerial videography.

Platforms for aerial photography include fixed-wing aircraft, helicopters, unmanned aerial vehicles (UAVs or "drones"), balloons, blimps and dirigibles, rockets, pigeons, kites, or using action cameras while skydiving or wingsuiting. Handheld cameras may be manually operated by the photographer, while mounted cameras are usually remotely operated or triggered automatically.

Hraunfossar, Iceland captured by a drone-camera[2]

Aerial photography typically refers specifically to bird's-eye view images that focus on landscapes and surface objects, and should not be confused with air-to-air photography, where one or more aircraft are used as chase planes that "chase" and photograph other aircraft in flight. Elevated photography can also produce bird's-eye images closely resembling aerial photography (despite not actually being aerial shots) when telephotoing from high vantage structures, suspended on cables (e.g. Skycam) or on top of very tall poles that are either handheld (e.g. monopods and selfie sticks), fixed firmly to the ground (e.g. surveillance cameras and crane shots) or mounted above vehicles.

History

[edit]

Early

[edit]
Honoré Daumier, "Nadar élevant la Photographie à la hauteur de l'Art" (Nadar elevating Photography to Art), published in Le Boulevard, May 25, 1862

Aerial photography was first practiced by the French photographer and balloonist Gaspard-Félix Tournachon, known as "Nadar", in 1858 over Paris, France.[3] However, the photographs he produced no longer exist and therefore the earliest surviving aerial photograph is titled 'Boston, as the Eagle and the Wild Goose See It.' Taken by James Wallace Black and Samuel Archer King on October 13, 1860, it depicts Boston from a height of 630m.[4][5]

Equipment Used to Make High-Altitude Photographs (1924)
Aerial view by Cecil Shadbolt, showing Stonebridge Road, Stamford Hill, and Seven Sisters Curve, part of the Tottenham and Hampstead Junction Railway, taken from 2,000 feet (610 m) on 29 May 1882 – the earliest extant aerial photograph taken in the British Isles

Kite aerial photography was pioneered by British meteorologist E.D. Archibald in 1882. He used an explosive charge on a timer to take photographs from the air.[6] The same year, Cecil Shadbolt devised a method of taking photographs from the basket of a gas balloon, including shots looking vertically downwards.[7][8] One of his images, taken from 2,000 feet (610 m) over Stamford Hill, is the earliest extant aerial photograph taken in the British Isles.[7] A print of the same image, An Instantaneous Map Photograph taken from the Car of a Balloon, 2,000 feet high, was shown at the 1882 Photographic Society exhibition.[8]

Frenchman Arthur Batut began using kites for photography in 1888, and wrote a book on his methods in 1890.[9][10] Samuel Franklin Cody developed his advanced 'Man-lifter War Kite' and succeeded in interesting the British War Office with its capabilities.

Antique postcard from Grand Rapids, Michigan, using kite photo technique (c. 1911)

In 1908, Albert Samama Chikly filmed the first ever aerial views using a balloon between Hammam-Lif and Grombalia.[11] The first use of a motion picture camera mounted to a heavier-than-air aircraft took place on April 24, 1909, over Rome in the 3:28 silent film short, Wilbur Wright und seine Flugmaschine.

World War I

[edit]
Giza pyramid complex, photographed from Eduard Spelterini's balloon on November 21, 1904

The use of aerial photography rapidly matured during the war, as reconnaissance aircraft were equipped with cameras to record enemy movements and defenses. At the start of the conflict, the usefulness of aerial photography was not fully appreciated, with reconnaissance being accomplished with map sketching from the air.

Germany adopted the first aerial camera, a Görz, in 1913. The French began the war with several squadrons of Blériot observation aircraft equipped with cameras for reconnaissance. The French Army developed procedures for getting prints into the hands of field commanders in record time.

Frederick Charles Victor Laws started aerial photography experiments in 1912 with No.1 Squadron of the Royal Flying Corps (later No. 1 Squadron RAF), taking photographs from the British dirigible Beta. He discovered that vertical photos taken with a 60% overlap could be used to create a stereoscopic effect when viewed in a stereoscope, thus creating a perception of depth that could aid in cartography and in intelligence derived from aerial images. The Royal Flying Corps recon pilots began to use cameras for recording their observations in 1914 and by the Battle of Neuve Chapelle in 1915, the entire system of German trenches was being photographed.[12] In 1916, the Austro-Hungarian Monarchy made vertical camera axis aerial photos above Italy for map-making.

The first purpose-built and practical aerial camera was invented by Captain John Moore-Brabazon in 1915 with the help of the Thornton-Pickard company, greatly enhancing the efficiency of aerial photography. The camera was inserted into the floor of the aircraft and could be triggered by the pilot at intervals. Moore-Brabazon also pioneered the incorporation of stereoscopic techniques into aerial photography, allowing the height of objects on the landscape to be discerned by comparing photographs taken at different angles.[13][14]

By the end of the war, aerial cameras had dramatically increased in size and focal power and were used increasingly frequently as they proved their pivotal military worth; by 1918, both sides were photographing the entire front twice a day and had taken over half a million photos since the beginning of the conflict. In January 1918, General Allenby used five Australian pilots from No. 1 Squadron AFC to photograph a 624 square miles (1,620 km2) area in Palestine as an aid to correcting and improving maps of the Turkish front. This was a pioneering use of aerial photography as an aid for cartography. Lieutenants Leonard Taplin, Allan Runciman Brown, H. L. Fraser, Edward Patrick Kenny, and L. W. Rogers photographed a block of land stretching from the Turkish front lines 32 miles (51 km) deep into their rear areas. Beginning 5 January, they flew with a fighter escort to ward off enemy fighters. Using Royal Aircraft Factory BE.12 and Martinsyde airplanes, they not only overcame enemy air attacks, but also had to contend with 65 mph (105 km/h) winds, antiaircraft fire, and malfunctioning equipment to complete their task.[15]

Commercial

[edit]
New York City in 1932, aerial photograph of Fairchild Aerial Surveys Inc
Milton Kent with his aerial camera, June 1953, Milton Kent Studio, Sydney

The first commercial aerial photography company in the UK was Aerofilms Ltd, founded by World War I veterans Francis Wills and Claude Graham White in 1919. The company soon expanded into a business with major contracts in Africa and Asia as well as in the UK. Operations began from the Stag Lane Aerodrome at Edgware, using the aircraft of the London Flying School. Subsequently, the Aircraft Manufacturing Company (later the De Havilland Aircraft Company), hired an Airco DH.9 along with pilot entrepreneur Alan Cobham.[16]

From 1921, Aerofilms carried out vertical photography for survey and mapping purposes. During the 1930s, the company pioneered the science of photogrammetry (mapping from aerial photographs), with the Ordnance Survey amongst the company's clients.[17] In 1920, the Australian Milton Kent started using a half-plate oblique aero camera purchased from Carl Zeiss AG in his aerial photographic business.[18]

Another successful pioneer of the commercial use of aerial photography was the American Sherman Fairchild who started with his own aircraft firm Fairchild Aircraft to develop and build specialized aircraft for high altitude aerial survey missions.[19] One Fairchild aerial survey aircraft in 1935 carried a unit that combined two synchronized cameras. Utilizing two units of ten lenses each with a ten-inch lens, the aircraft took photos from 23,000 feet. Each photo covered two hundred and twenty-five square miles. One of its first government contracts was an aerial survey of New Mexico to study soil erosion.[20] A year later, Fairchild introduced a better high altitude camera with a nine-lens in one unit that could take a photo covering 600 square miles with each exposure from 30,000 feet.[21]

World War II

[edit]
Sidney Cotton's Lockheed 12A, in which he made a high-speed reconnaissance flight in 1940

In 1939, Sidney Cotton and Flying Officer Maurice Longbottom of the RAF were among the first to suggest that airborne reconnaissance may be a task better suited to fast, small aircraft which would use their speed and high service ceiling to avoid detection and interception. Although this seems obvious now, with modern reconnaissance tasks performed by fast, high flying aircraft, at the time it was radical thinking.[citation needed]

They proposed the use of Spitfires with their armament and radios removed and replaced with extra fuel and cameras. This led to the development of the Spitfire PR variants. Spitfires proved to be extremely successful in their reconnaissance role and there were many variants built specifically for that purpose. They served initially with what later became No. 1 Photographic Reconnaissance Unit (PRU). In 1928, the RAF developed an electric heating system for the aerial camera. This allowed reconnaissance aircraft to take pictures from very high altitudes without the camera parts freezing.[22] Based at RAF Medmenham, the collection and interpretation of such photographs became a considerable enterprise.[23]

Cotton's aerial photographs were far ahead of their time. Together with other members of the 1 PRU, he pioneered the techniques of high-altitude, high-speed stereoscopic photography that were instrumental in revealing the locations of many crucial military and intelligence targets. According to R.V. Jones, photographs were used to establish the size and the characteristic launching mechanisms for both the V-1 flying bomb and the V-2 rocket. Cotton also worked on ideas such as a prototype specialist reconnaissance aircraft and further refinements of photographic equipment. At the peak, the British flew over 100 reconnaissance flights a day, yielding 50,000 images per day to interpret. Similar efforts were taken by other countries.[citation needed]

While stationed on an aircraft carrier in Imperial Japan, FS Hussain, a pilot in the Royal Indian Air Force, was tasked with photographing the aftermath of the Atomic bombings of Hiroshima and Nagasaki.[24] Unaware of the risks of exposure to radiation, it led to his death in 1969 at the age of 44.[25]

Uses

[edit]

Vertical aerial photography is used in cartography[26] (particularly in photogrammetric surveys, which are often the basis for topographic maps[27][28]), land-use planning,[26] aerial archaeology.[26] Oblique aerial photography is used for movie production, environmental studies,[29] power line inspection,[30] surveillance, construction progress, commercial advertising, conveyancing, and artistic projects. An example of how aerial photography is used in the field of archaeology is the mapping project done at the site Angkor Borei in Cambodia from 1995 to 1996. Using aerial photography, archaeologists were able to identify archaeological features, including 112 water features (reservoirs, artificially constructed pools and natural ponds) within the walled site of Angkor Borei.[31] In the United States, aerial photographs are used in many Phase I Environmental Site Assessments for property analysis.

Aircraft

[edit]

In the United States, except when necessary for take-off and landing, full-sized manned aircraft are prohibited from flying at altitudes under 1000 feet over congested areas and not closer than 500 feet from any person, vessel, vehicle or structure over non-congested areas. Certain exceptions are allowed for helicopters, powered parachutes and weight-shift-control aircraft.[32]

Radio-controlled

[edit]
Advancements in drone technology have allowed aerial photographs to be taken by quadcopter drones, such as this DJI Mavic Pro.

Advances in radio controlled models have made it possible for model aircraft to conduct low-altitude aerial photography. This had benefited real-estate advertising, where commercial and residential properties are the photographic subject. In 2014, the US Federal Aviation Administration banned the use of drones for photographs in real estate advertisements.[33] The ban has been lifted and commercial aerial photography using drones of UAS is regulated under the FAA Reauthorization Act of 2018.[34][35] Commercial pilots have to complete the requirements for a Part 107 license,[36] while amateur and non-commercial use is restricted by the FAA.[37]

Small scale model aircraft offer increased photographic access to these previously restricted areas. Miniature vehicles do not replace full-size aircraft, as full-size aircraft are capable of longer flight times, higher altitudes, and greater equipment payloads. They are, however, useful in any situation in which a full-scale aircraft would be dangerous to operate. Examples would include the inspection of transformers atop power transmission lines and slow, low-level flight over agricultural fields, both of which can be accomplished by a large-scale radio-controlled helicopter. Professional-grade, gyroscopically stabilized camera platforms are available for use under such a model; a large model helicopter with a 26cc gasoline engine can hoist a payload of approximately seven kilograms (15 pounds). One example is the radio controlled Nitrohawk helicopter developed by Robert Channon between 1988 and 1998.[38] In addition to gyroscopically stabilized footage, the use of RC copters as reliable aerial photography tools increased with the integration of FPV (first-person-view) technology. Many radio-controlled aircraft, in particular drones, are now capable of utilizing Wi-Fi to stream live video from the aircraft's camera back to the pilot's or pilot in command's (PIC) ground station.[39]

Regulations

[edit]

Australia

[edit]

In Australia, Civil Aviation Safety Regulation Part 101 (CASR Part 101)[40] allows for commercial use of unmanned and remotely piloted aircraft. Under these regulations, unmanned remotely piloted aircraft for commercial are referred to as Remotely Piloted Aircraft Systems (RPAS), whereas radio-controlled aircraft for recreational purposes are referred to as model aircraft. Under CASR Part 101, businesses/persons operating remotely piloted aircraft commercially are required to hold an operator certificate, just like manned aircraft operators. Pilots of remotely piloted aircraft operating commercially are also required to be licensed by the Civil Aviation Safety Authority (CASA).[41] While a small RPAS and model aircraft may actually be identical, unlike model aircraft, a RPAS may enter controlled airspace with approval, and operate close to an aerodrome.

Due to a number of illegal operators in Australia, making false claims of being approved, CASA maintains and publishes a list of approved remote operator's certificate (ReOC) holders.[42] However, CASA has modified the regulations and from September 29, 2016, drones under 2 kg (4.4 lb) may be operated for commercial purposes.[43]

United States

[edit]

2006 FAA regulations grounding all commercial RC model flights have been upgraded to require formal FAA certification before permission is granted to fly at any altitude in the US.

On June 25, 2014, the FAA, in ruling 14 CFR Part 91 [Docket No. FAA–2014–0396] "Interpretation of the Special Rule for Model Aircraft", banned the commercial use of unmanned aircraft over U.S. airspace.[44] On September 26, 2014, the FAA began granting the right to use drones in aerial filmmaking. Operators are required to be licensed pilots and must keep the drone in view at all times. Drones cannot be used to film in areas where people might be put at risk.[45]

The FAA Modernization and Reform Act of 2012 established, in Section 336, a special rule for model aircraft. In Section 336, Congress confirmed the FAA's long-standing position that model aircraft are aircraft. Under the terms of the Act, a model aircraft is defined as "an unmanned aircraft" that is "(1) capable of sustained flight in the atmosphere; (2) flown within visual line of sight of the person operating the aircraft; and (3) flown for hobby or recreational purposes."[46]

Because anything capable of being viewed from a public space is considered outside the realm of privacy in the United States, aerial photography may legally document features and occurrences on private property.[47]

The FAA can pursue enforcement action against persons operating model aircraft who endanger the safety of the national airspace system: Public Law 112–95, section 336(b).[33]

On June 21, 2016, the FAA released its summary of small unmanned aircraft rules (Part 107). The rules established guidelines for small UAS operators including operating only during the daytime, a 400 ft (120 m). ceiling and pilots must keep the UAS in visual range.[48]

On April 7, 2017, the FAA announced special security instructions under 14 CFR § 99.7. Effective April 14, 2017, all UAS flights within 400 feet of the lateral boundaries of U.S. military installations are prohibited unless a special permit is secured from the base and/or the FAA.[49]

United Kingdom

[edit]

Aerial photography in the UK has tight regulations as to where a drone is able to fly.[50]

Aerial Photography on Light aircraft under 20 kg (44 lb). Basic Rules for non commercial flying Of a SUA (Small Unmanned Aircraft).

Article 241 Endangering safety of any person or property states that a person must not recklessly or negligently cause or permit an aircraft to endanger any person or property.

Article 94 mentions the following about small unmanned aircraft:

  1. A person must not cause or permit any article or animal (whether or not attached to a parachute) to be dropped from a small unmanned aircraft so as to endanger persons or property.
  2. The person in charge of a small unmanned aircraft may only fly the aircraft if reasonably satisfied that the flight can safely be made.
  3. The person in charge of a small unmanned aircraft must maintain direct, unaided visual contact with the aircraft sufficient to monitor its flight path in relation to other aircraft, persons, vehicles, vessels and structures for the purpose of avoiding collisions. (500 m (1,600 ft))
  4. The person in charge of a small unmanned aircraft which has a mass of more than 7 kg (15 lb) excluding its fuel but including any articles or equipment installed in or attached to the aircraft at the commencement of its flight, must not fly the aircraft:
    1. In Class A, C, D or E airspace unless the permission of the appropriate air traffic control unit has been obtained;
    2. Within an aerodrome traffic zone during the notified hours of watch of the air traffic control unit (if any) at that aerodrome unless the permission of any such air traffic control unit has been obtained;
    3. At a height of more than 400 feet above the surface
  5. The person in charge of a small unmanned aircraft must not fly the aircraft for the purposes of commercial operations except in accordance with a permission granted by the CAA.

Article 95 has the following to say about small unmanned surveillance aircraft:

  1. You Must not fly your aircraft over or within 150 metres of any congested Area.
  2. Over or within 150 m (490 ft) of an organised open-air assembly of more than 1,000 persons.
  3. Within 50 m (160 ft) of any vessel, vehicle or structure which is not under the control of the person in charge of the aircraft.
  4. Within 50 m of any person, during take-off or landing, a small unmanned surveillance aircraft must not be flown within 30 m (98 ft) of any person. This does not apply to the person in charge of the small unmanned surveillance aircraft or a person under the control of the person in charge of the aircraft.

Model aircraft with a mass of more than 20 kg are termed 'Large Model Aircraft' – within the UK, large model aircraft may only be flown in accordance with an exemption from the ANO, which must be issued by the CAA.

Types

[edit]

Oblique

[edit]
Oblique Aerial Photo

Photographs taken at an angle are called oblique photographs. If they are taken from a low angle relative to the earth's surface, they are called low oblique and photographs taken from a high angle are called high or steep oblique.[51]

An aerial photographer prepares continuous oblique shooting in a Cessna 206

Vertical (Nadir)

[edit]
Vertical Orientation Aerial Photo

Vertical photographs are taken straight down.[52] They are mainly used in photogrammetry and image interpretation. Pictures that will be used in photogrammetry are traditionally taken with special large format cameras with calibrated and documented geometric properties.

A vertical still from a kite aerial thermal video of part of a former brickworks site captured at night. http://www.armadale.org.uk/aerialthermography.htm

Combined

[edit]

Aerial photographs are often combined. Depending on their purpose, it can be done in several ways, of which a few are listed below.

  • Panoramas can be made by stitching several photographs taken in different angles from one spot (e.g. with a hand held camera) or from different spots at the same angle (e.g. from a plane).
  • Stereo photography techniques allow for the creation of 3D-images from several photographs of the same area taken from different spots.
  • In pictometry, five rigidly mounted cameras provide one vertical and four low oblique pictures that can be used together.
  • In some digital cameras, for aerial photogrammetry images from several imaging elements, sometimes with separate lenses, are geometrically corrected and combined to one image in the camera.

Orthophotomap

[edit]

Vertical photographs are often used to create orthophotos, alternatively known as orthophotomaps, photographs which have been geometrically "corrected" so as to be usable as a map. In other words, an orthophoto is a simulation of a photograph taken from an infinite distance, looking straight down to nadir. Perspective must obviously be removed, but variations in terrain should also be corrected for. Multiple geometric transformations are applied to the image, depending on the perspective and terrain corrections required on a particular part of the image.

Orthophotos are commonly used in geographic information systems, such as are used by mapping agencies (e.g. Ordnance Survey) to create maps. Once the images have been aligned, or "registered", with known real-world coordinates, they can be widely deployed.

Large sets of orthophotos, typically derived from multiple sources and divided into "tiles" (each typically 256 x 256 pixels in size), are widely used in online map systems such as Google Maps. OpenStreetMap offers the use of similar orthophotos for deriving new map data. Google Earth overlays orthophotos or satellite imagery onto a digital elevation model to simulate 3D landscapes.

Leaf-off or leaf-on

[edit]

Aerial photography may be labeled as either "leaf-off" or on "leaf-on" to indicate whether deciduous foliage is in the photograph. Leaf-off photographs show less foliage or no foliage at all, and are used to see the ground and things on the ground more closely. Leaf-on photographs are used to measure crop health and yield. For forestry purposes, some species of trees are easier to distinguish from other kinds of trees with leaf-off photography, while other species are easier to distinguish with leaf-on photography.[53]

Video

[edit]
The Cliffs of Moher, filmed with a drone (2014)

With advancements in video technology, aerial video is becoming more popular. Orthogonal video is shot from aircraft mapping pipelines, crop fields, and other points of interest. Using GPS, video may be embedded with meta data and later synced with a video mapping program.

This "Spatial Multimedia" is the timely union of digital media including still photography, motion video, stereo, panoramic imagery sets, immersive media constructs, audio, and other data with location and date-time information from the GPS and other location designs.

Aerial videos are emerging Spatial Multimedia which can be used for scene understanding and object tracking. The input video is captured by low flying aerial platforms and typically consists of strong parallax from non-ground-plane structures. The integration of digital video, global positioning systems (GPS) and automated image processing will improve the accuracy and cost-effectiveness of data collection and reduction. Several different aerial platforms are under investigation for the data collection.

In film production, it is common to use a unmanned aerial vehicle with a mounted cine camera.[54] For example, the AERIGON cinema drone is used for low aerial shots in big blockbuster movies.[55]

See also

[edit]

Concepts and methods

  • Aerial landscape art
  • Aviation photography
  • Geoinformatics
  • Remote sensing
  • Scheimpflug principle

Equipment and technology

  • Airborne Real-time Cueing Hyperspectral Enhanced Reconnaissance
  • Astrocam
  • Fairchild K-20, WWII-era aerial camera
  • Lidar
  • Oracle, model photographic rocket
  • TopoFlight
  • VisionMap A3 Digital Mapping System

Individuals, organizations, and history

  • Aerial image library
  • First images of Earth from space
  • Harvey Lloyd
  • Houston–Mount Everest flight expedition
  • National Collection of Aerial Photography
  • Wikipedia category for articles on aerial photographers

References

[edit]
  1. ^ "aerial photograph". Merrian Webster. Retrieved 2 October 2017.
  2. ^ "Fotografi og film med drone | Odd & Ivø Photography | Rungsted Kyst". Oddivo. Retrieved 2023-03-09.
  3. ^ History of Aerial Photography Professional Aerial Photographers Association (retrieved 5 October 2016)
  4. ^ Ron Graham and Roger E. Read, Manual of Aerial Photography, London and Boston, Focal Press, ISBN 0-240-51229-4
  5. ^ Staff writer (April 3, 2013). "This Picture of Boston, Circa 1860, Is the World's Oldest Surviving Aerial Photo". Smithsonian Magazine. Retrieved April 17, 2013.
  6. ^ Archibald, Douglas (1897). "The Story of the Earth's Atmosphere". p. 174. Retrieved 2011-04-16.
  7. ^ a b "The Shadbolt Collection". Retrieved 27 April 2020.
  8. ^ a b Colin, Fenn (2016). "George & Cecil Shadbolt – Pioneer Photographers" (PDF). Friends of West Norwood. Newsletter (86): 6–8.
  9. ^ Benton, Cris (June 25, 2010). "The First Kite Photographs". arch.ced.berkeley.edu. Archived from the original on 2011-06-09. Retrieved 2011-04-16.
  10. ^ "Arthur Batut Museum" (in French). Retrieved 2008-01-08.
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Further reading

[edit]
  • Price, Alfred (2003). Targeting the Reich: Allied Photographic Reconnaissance over Europe, 1939–1945. [S.l.]: Military Book Club. N.B.: First published 2003 by Greenhill Books, London. ISBN 0-7394-3496-9
[edit]
  • Aerial Photography: An Overview on YouTube, from the Smithsonian National Air and Space Museum

 

 

Reviews for Helicopter Ride and Tours Dubai


Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates

Giselle Prado-Wright

(5)

Awesome Helicopter tour of Dubai and the world Islands. We got to see everything we wanted to see. Tour left on time and everything was very organized.

Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates

Md Khursheed Ali

(5)

I recently had the pleasure of taking a helicopter ride with your company, and I wanted to take a moment to share my experience. From start to finish, everything was exceptionally well-organized. The views during the ride were absolutely breathtaking, and the pilot's professionalism and knowledge added so much to the overall experience. It was clear that safety was a top priority, which made me feel comfortable and secure throughout the flight. The only suggestion I have for improvement would be [less timing of the ride] However, this did not detract from what was an otherwise fantastic experience. Overall, I thoroughly enjoyed the ride, and I would highly recommend it to others. Thank you for providing such a memorable experience!

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